Rabu, 31 Juli 2019

Ver Charlie's Angels 2019 Online Castellano

Ver Charlie's Angels 2019 Online Castellano






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Ver Charlie's Angels 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Orlina Orland


Coordinador de acrobacias:
Lawson Elienor


Diseño de guión:
Arub Devon


Imágenes : Bauer Avis
Co-Produzent : Bass Lina


Productor ejecutivo : Hiya Mickael


Director de arte supervisor:
Lindon Liora


Produce|Producir : Enedina Lowe


Fabricante: Butor Mussey


Actriz : Harmani Vivian



















































Título de la película






Ver Charlie's Angels 2019 Online Castellano







Momento




171 minuto





Lanzamiento




2019-11-14





costo




M4V 1440p
WEB-DL





Categorías




Action, Adventure, Comedy





lenguaje




English





nombre de reparto




Keitha
O.
Elvire, IllusionMakersCorrine O. Sheen, Giroux X. Elfman







[HD] Ver Charlie's Angels 2019 Online Castellano



When a systems engineer blows the whistle on a dangerous technology, Charlie's Angels from across the globe are called into action, putting their lives on the line to protect society.


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Ver Jay and Silent Bob Reboot 2019 Online Castellano

Ver Jay and Silent Bob Reboot 2019 Online Castellano






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Ver Jay and Silent Bob Reboot 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Dhruti Fournié


Coordinador de acrobacias:
Fersen Nadine


Diseño de guión:
Tiago Maïly


Imágenes : Mindy Oriel
Co-Produzent : Prajit Pauline


Productor ejecutivo : Mirtha Cher


Director de arte supervisor:
Ureeba Ebbonie


Produce|Producir : Mallie Vaden


Fabricante: Ingrid Léanne


Actriz : John Droz








8
3









































Título de la película






Ver Jay and Silent Bob Reboot 2019 Online Castellano







Hora




117 minutos





Lanzamiento




2019-10-15





valor




AAF 720p
HDRip





Categoría




Comedy





lenguaje




English





nombre de reparto




Bocuse
E.
Ballard, TEProductionsLautner P. Alayna, Julia V. Kameron







[HD] Ver Jay and Silent Bob Reboot 2019 Online Castellano



Jay and Silent Bob embark on a cross-country mission to stop Hollywood from rebooting the film based on their comic book counterparts Bluntman and Chronic.


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Ver Doom: Annihilation 2019 Online Castellano

Ver Doom: Annihilation 2019 Online Castellano






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Ver Doom: Annihilation 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Zavala Charee


Coordinador de acrobacias:
Aissata Goodman


Diseño de guión:
Almeta Dalton


Imágenes : Hanga Samarth
Co-Produzent : Anya Jeremy


Productor ejecutivo : Dore Shams


Director de arte supervisor:
Asia Jacques


Produce|Producir : Aina Phelan


Fabricante: Abir Astin


Actriz : Sakib Lyna








4.4
60









































Título de la película






Ver Doom: Annihilation 2019 Online Castellano







Hora




132 segundos





Lanzamiento




2019-09-30





precio




MPEG-1 1440p
BDRip





Categoría




Action, Science Fiction, Horror, Mystery





habla




English, Español





nombre de reparto




Denas
J.
Jamari, FGA ProductionsElyès L. Paien, Balqis Y. Dupuit







[HD] Ver Doom: Annihilation 2019 Online Castellano



Doom: Annihilation follows a group of space marines as they respond to a distress call from a base on a Martian moon, only to discover it’s been overrun by demonic creatures who threaten to create Hell on Earth.

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List of women in the Bible Wikipedia ~ A Abigail – mother of Amasa Sister of David I Chronicles 21517 Abigail – wife of the wicked Nabal who became a wife of David after Nabals death I Samuel 25 Abihail 1 – wife of Abishur and mother of Ahban and Molid I Chronicles Abihail 2 wife of king Rehoboam II Chronicles Abishag – concubine of aged King David I Kings Abital – one of King Davids wives II Samuel I

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Bible translations into Afrikaans Wikipedia ~ The Nuwe Lewende Vertaling literally New Living Translation was published in 2006 The previous living translation in Afrikaans was a paraphrase but this version is a direct translation It is a backlash against dynamic equivalence and a return to a more literal translation the same applies to the Bible Societys new direct translation

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Homosexuality in the New Testament Wikipedia ~ In the New Testament there are at least three passages that refer to homosexual activity Romans 126–27 1 Corinthians 69–10 and 1 Timothy 19–10 A fourth passage Jude 17 is often interpreted as referring to homosexuality Jesus discusses marriage only in a heterosexual context when he cites the Book of Genesis during a discussion of marriage The references to homosexuality itself in the New Testament hinge on the interpretation of three specific Greek words arsenokoitēs

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Selasa, 30 Juli 2019

Ver Scary Stories to Tell in the Dark 2019 Online Castellano

Ver Scary Stories to Tell in the Dark 2019 Online Castellano






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Ver Scary Stories to Tell in the Dark 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Nattero Robynne


Coordinador de acrobacias:
Tisdale Quinton


Diseño de guión:
Ruben Jacques


Imágenes : Kash Preksha
Co-Produzent : century Paulhan


Productor ejecutivo : Floria Ince


Director de arte supervisor:
Bogdan Ankah


Produce|Producir : Eduard Vanda


Fabricante: Hadya Madie


Actriz : Maritza Emeka








6.4
383









































Título de la película






Ver Scary Stories to Tell in the Dark 2019 Online Castellano







Momento




189 segundos





Lanzamiento




2019-08-08





objetos de valor




MPG 1440p
Bluray





Género




Horror, Thriller





lenguaje




English





nombre de reparto




Ansam
Q.
Bonnie, Highgate PicturesDamiane W. Nuyen, Onome W. Mamadou







[HD] Ver Scary Stories to Tell in the Dark 2019 Online Castellano


If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It's in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah's spooky home.


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Ver Gemini Man 2019 Online Castellano

Ver Gemini Man 2019 Online Castellano






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Ver Gemini Man 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Amblard Laborit


Coordinador de acrobacias:
Naveed Orna


Diseño de guión:
Mannat Matt


Imágenes : Lisette Sonia
Co-Produzent : Lucius Jegors


Productor ejecutivo : Huda Silas


Director de arte supervisor:
Didi Miller


Produce|Producir : Mignon Denissa


Fabricante: Villey Kali


Actriz : Dian Jarod








5.9
391









































Título de la película






Ver Gemini Man 2019 Online Castellano







Reloj




185 minuto





Lanzamiento




2019-10-02





precio




MPG 720p
DVDrip





Género




Action, Thriller





habla




English, Türkçe





nombre de reparto




Johann
A.
Eldon, Balenciaga ProductionsVoletta R. Berna, Bonilla P. Mathias







[HD] Ver Gemini Man 2019 Online Castellano


A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.


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Ver Avengers: Endgame 2019 Online Castellano

Ver Avengers: Endgame 2019 Online Castellano






Ver Avengers: Endgame 2019 Online Castellano- oficina -WEB-DL-AVI- Película en línea- australia -año- blu ray .jpg



Ver Avengers: Endgame 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Burt Blanché


Coordinador de acrobacias:
Benitez Ally


Diseño de guión:
Saisha Darion


Imágenes : Boutang Melvin
Co-Produzent : Jiro Aissa


Productor ejecutivo : Yacouba Kassav


Director de arte supervisor:
Parodi Autumn


Produce|Producir : Rive Maël


Fabricante: Morris Yolette


Actriz : Candie Sohane








8.3
9970









































Título de la película






Ver Avengers: Endgame 2019 Online Castellano







Hora




156 segundos





Lanzamiento




2019-04-24





valor




DTS 720p
Blu-ray





Categorías




Adventure, Science Fiction, Action





lenguaje




English, 日本語





nombre de reparto




Jaydan
N.
Edda, ATN 7Prerna Q. Jordyn, Della A. Hadriel







[HD] Ver Avengers: Endgame 2019 Online Castellano


The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.

Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.

As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.

Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.

What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.

The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.

This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.

It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.

As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.

4.5 stars out of 5
Hey, so, just some really quick thoughts I wanna get down, 'cause it's after 1 o'clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again.

Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It's my favourite movie of the year too, but I've only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can't say it's perfect, there's some conflicting stuff within its own runtime that really doesn't seem to gel (though a re-watch may prove me wrong on that), and it's not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing.

I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise's 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It's the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters.

To me though? My first 9 out of 10 rating in **three years**.

_Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Don't worry. This is going to be a pretty vague review. Right now, as I'm writing this sentence, I'm still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it's such a mix of feelings. On one hand, I'm extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I'm obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue).

However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don't think this could have been any better. Its last hour exceeds any expectations. It's epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It's pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings' battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don't expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that's going to make you pretty much either "love" or "like" this movie. I absolutely love it!

This is easily one of the best MCU films, if not my new number one. I can't deny that the 3-hour runtime has some unnecessary scenes, but even if they don't have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos' snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there.

Some people didn't really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn't work anymore. This is not only great work from the directors, but also from the writers.

Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won't know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who've lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves.

The humor is mostly on-point, but it's still connected to my only real issue with the film, which is the second act's tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn't expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue.

Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can't wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It's just an amazingly beautiful image. The score is epic as hell. So much that I'm listening to it right now as I'm writing this review, and I'm getting chills all over my body.

I can't really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson's, Evans', and Robert Downey Jr's (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don't judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors' minds in the first place!

All in all, I don't know what to do now. The only thing I'm sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn't fall asleep properly because I couldn't stop thinking about it. Endgame surpasses all expectations. It's everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It's that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can't even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we'll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame!

PS: it's not a perfect movie, I know. It doesn't exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn't everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life!

Rating: A+
okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use of god.... bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents 'no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old 'but besides that awesome movie
We waited till day 5 of release in theaters. There was a slow start to the movie so i don't recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect "ending' to the series. Very well done
These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to the theater to watch Avengers: Endgame.

I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect.

It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel.

The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory.

I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character.

I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed.

There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it.

There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards.

Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
Awesome!
***How can they possibly save half of all living beings in the Universe?***

How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in "Infinity War" weren’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of "Back to the Future II" (1989).

“Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film.

Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more.

Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute.

GRADE: B/B-
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.


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Ver Yesterday 2019 Online Castellano

Ver Yesterday 2019 Online Castellano






Ver Yesterday 2019 Online Castellano- edad -Dolby Digital-1080p- 123movies - maléfica -año- blu ray .jpg



Ver Yesterday 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Bijal Archit


Coordinador de acrobacias:
Weston Alania


Diseño de guión:
Queenie Wael


Imágenes : Léonor Leticia
Co-Produzent : Myrna Haniyah


Productor ejecutivo : Braydon Chardin


Director de arte supervisor:
Verne Bretta


Produce|Producir : Brayan Burnell


Fabricante: Vallin Emeric


Actriz : Brier Kassav








6.7
832









































Título de la película






Ver Yesterday 2019 Online Castellano







Hora




137 minuto





Lanzamiento




2019-06-27





valor




ASF 720p
WEB-DL





Categoría




Comedy, Music, Romance, Fantasy





lenguaje




Français, English





nombre de reparto




Vallis
Z.
Hakim, Rigas KinostudijaQuillan C. Saja, Nashad C. Uriah







[HD] Ver Yesterday 2019 Online Castellano



Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that he's the only person on Earth who can remember The Beatles.


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Ver Booksmart 2019 Online Castellano

Ver Booksmart 2019 Online Castellano






Ver Booksmart 2019 Online Castellano- trailer -ASF-Blu-ray-Pelicula Completa Castellano- reina -año- película de ganzer .jpg



Ver Booksmart 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Yahir Roran


Coordinador de acrobacias:
Eliakim Addyson


Diseño de guión:
Yusif Camp


Imágenes : German Monro
Co-Produzent : Jayne Berjon


Productor ejecutivo : Kaylyn Lorelei


Director de arte supervisor:
Abigaïl Meynet


Produce|Producir : Safeera Athena


Fabricante: Shana Manel


Actriz : Latrice Aurelia








7.2
596









































Título de la película






Ver Booksmart 2019 Online Castellano







Hora




133 minuto





Lanzamiento




2019-05-24





valor




ASF 1080p
DVDrip





Categoría




Comedy, Drama





lenguaje




English





nombre de reparto




Brioney
Y.
Dodson, Studio 217Sudays R. Césaire, Rohid X. Bower







[HD] Ver Booksmart 2019 Online Castellano


Anybody who thinks that this is just a female Superbad would be wrong, because it's so much more than that. This is a film about friendship, and in some respects it feels more of the same compared to other coming-of-age films, but it delivers past that expectation with the help of Olivia Wilde's excellent direction and the strength of Kaitlyn Dever and Beanie Feldstein. This is a film about friendship, but it's also about a celebration of youth and empowerment of one’s own life. Dever and Feldstein are perfection but Billie Lourd is hilarious as well! But seriously, it’s also the hardest i’ve laughed in a long time and it'll sadly probably get snubbed come awards season but this deserves Best Picture and i will love and cherish this movie until I die.
‘Booksmart’ is a fun, hilarious, and instantly and infinitely quotable film, making it a must-see for all ages and sexes. But most importantly, it’s exciting. Olivia Wilde has here proven herself to be a fantastic new voice in filmmaking, and she’s brought along screenwriters Susanna Fogel, Emily Halpern, Sarah Haskins and Katie Silberman for the ride. One can only imagine the excellence they’ll produce in the future and if they keep discovering new onscreen talent as well, there’s no stopping them. Girl power!
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-booksmart-say-hello-to-the-next-great-voice-in-female-filmmaking

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
I like the leads but I **love** the supporting cast.

_Booksmart_ had me dubious. In the past couple of years beforehand, I'd heard great (and virtually identical) things about three female-led coming of age films: _Edge of Seventeen, Lady Bird,_ and _Eighth Grade_. In my opinion, one of these movies is great, one of these movies is good, and one of these movies is... not. So when I started hearing the exact same chatter around _Booksmart_, I was not certain what I should expect. Now, having seen it, it might actually be the best of the bunch. Certainly the funniest. Might well end up being my only non-Action movie of the year I go in for a rewatch on.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Last year, I missed A Vigilante from Olivia Wilde, and I still haven’t watched it. Over time, I gradually lost interest, and I might have even forgotten about its existence. However, after watching Booksmart (which arrived late as hell to my country), I’m definitely watching the former soon. I was never that big of a fan of the young-adult, high-school, coming-of-age type of movies, but some of my favorite films of the last few years (Lady Bird, The Edge of Seventeen) actually belong to that genre. Why am I enjoying these low-budget flicks more than others?

Well, it can’t be a coincidence that every director that tackled these movies is either tremendously talented or shows incredible potential. In addition to this, all of these films (all directed by a woman) address a teenage story starring one or more female main characters. Now, hang on to your horses: no, these movies aren’t good because they’re made by women. No, the story isn’t captivating or entertaining due to the protagonists being women. These films are great simply because they’re made by filmmakers who know what to do with a camera and a story, besides starring brilliant actors… It just happens that all of these persons are women.

I’m not part of any movement or hate group. I don’t care about politics. I hate people that let their reviews be influenced by external themes, ultimately being unfair to the movie. That said, I have no doubts that these films are better because they have women producing, directing, writing, and starring in it. Booksmart is extremely funny while being as realistic as possible at the same time. Tonally, Wilde seamlessly balances her movie, flowing through each plot point with no major missteps. Although, some occasional detours unnecessarily stretch the runtime, namely a few subplots that didn’t really offer anything worth the time, besides being a bit exaggerated.

Nevertheless, the main storyline never loses its focus. Amy and Molly smoothly drive the screenplay through entertaining moments as well as grounded, pretty dramatic scenes. Beanie Feldstein and Kaitlyn Dever are spectacular! I can’t remember the last time I watched such a phenomenal duo of protagonists, especially when it comes to young actors/actresses. They have impeccable chemistry, and it’s quite noticeable that some sequences are undoubtedly improvised. They also deliver one of the best one-on-one verbal confrontations ever put to screen. Just one long take with both giving their all. Outstanding acting, fantastic filmmaking.

With these two actresses carrying the story forward, every single scene is elevated. The comedy bits are amusing, but the romantic drama surrounding them is addressed in such a genuine manner. Kudos to each and every screenwriter that worked on the scripts. To Olivia Wilde, I leave my wish of seeing her in more features. She has her own style, and she definitely has a lot to say, so I can’t wait for her next films. Booksmart carries enough sweet messages that will surely connect with audiences all over the world, whether you’re young, old, men or women. It still carries some cliches from the genre (not trusting your BFF, even though it’s clear you’re wrong), but it’s the play on stereotypes (not everyone seems what they show) that wins at the end.

All in all, Olivia Wilde places her name on the list of directors to watch closely for the next few years. Booksmart is a wonderful addition to the coming-of-age genre, one that possesses two astonishing protagonists. Beanie Feldstein and Kaitlyn Dever might become superstars in the future if they continue to display such remarkable performances. With the help of a great supporting cast as well, Wilde shows the exciting and entertaining side of graduating high-school, but also all of the real dramas that teenagers go through, with no restraints. It’s a character-driven story, and Amy and Molly are two persons that we should learn a lot from. It’s one of the best movies of the genre, even though it still contains some of its famous cliches and a few subplots that don’t quite come together. Definitely, give it a watch!

Rating: B+
Two academic teenage superstars realize, on the eve of their high school graduation, that they should have worked less and played more. Determined to never fall short of their peers, the girls set out on a mission to cram four years of fun into one night.


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Ver Berlin, I Love You 2019 Online Castellano

Ver Berlin, I Love You 2019 Online Castellano






Ver Berlin, I Love You 2019 Online Castellano- evil -1440p-Dolby Digital- 4k Blu Ray - en -año-stream .jpg



Ver Berlin, I Love You 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Ebru Henri


Coordinador de acrobacias:
Brychan Anaïs


Diseño de guión:
Elmo Marg


Imágenes : Tandy Kerensa
Co-Produzent : Portal Brielle


Productor ejecutivo : Craig Guay


Director de arte supervisor:
Mannat Leeland


Produce|Producir : Olympe Sevil


Fabricante: Charice Pelchat


Actriz : Tara Emeka








4.2
19









































Título de la película






Ver Berlin, I Love You 2019 Online Castellano







Hora




175 segundos





Lanzamiento




2019-02-08





valor




M4V 1440p
WEBrip





Género




Drama





habla




Deutsch, English





nombre de reparto




Alden
E.
Berdine, Metro PicturesTatum Q. Keefe, Amine W. Malie







[HD] Ver Berlin, I Love You 2019 Online Castellano



An anthology feature of 10 stories of romance set in the German capital.


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